The Prime Minister
Read by David Shaw-Parker
When the liberal government falls and neither party is able to form a cabinet, Plantagenet Palliser is called upon to lead a coalition government. He is reluctant at first, and displays none of the charisma of his predecessors, but eventually he grows into the role. However, his confidence is short-lived as he becomes embroiled in a scandal involving the villainous Ferdinand Lopez – unintentionally brought about by Lady Glencora Palliser. Pronounced ‘a beautiful book’ by Leo Tolstoy, The Prime Minister is a superb portrait of marriage and politics, and the compromises necessary for success in both. It is the fifth novel in Trollope’s Palliser series.
Running Time: 31 h 55 m
More product details
Digital ISBN: 978-1-78198-214-3 Cat. no.: NA0346 Download size: 730 MB Produced by: Tamsin Collison Edited by: Ross Burman BISAC: FIC004000 BIC: FC Released: April 2019
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David Shaw-Parker is nearing the end of his marathon narration of Anthony Trollope’s Barchester and political novels; the same characters turn up in both series, so if you embark on and enjoy The Warden (recorded in 2013), you may find yourself following the 12 interwoven tales for well over 360 hours.
The release of The Prime Minister, the fifth of the six political novels, is amusingly timely: ‘There had come to be a deadlock in affairs, during which neither of the two old and well-recognised leaders of parties could command a sufficient following for the carrying on of the Government.’
Plantagenet Palliser, the titular prime minister, shares many traits with Theresa May: a deep love of his country, a sense of duty and an obstinate refusal to leave office despite the urgings of his ministers. He struggles to get pet schemes (in his case decimal coinage and reform of the parliamentary constituencies) adopted by the coalition he leads; he is cruelly assailed and disparaged by the press.
Shaw-Parker excels at changing character and sex, as lively as the irrepressible Lady Glencora as he is caddish as Ferdinand Lopez.
Christina Hardyment, The Times